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The Sound of The Girl with the Dragon Tattoo.
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The Sound of The Hunger Games.
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The Sound of Prometheus.
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The Sound of Argo.
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The Sound of Skyfall.
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The Sound of The Hobbit: The Desolation of Smaug.
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The Sound of Transcendence.
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The Sound of Tomorrowland.
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The Sound of Oblivion.
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The Sound of The Revenant.
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The Sound of Gravity.
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The Sound of The Dark Knight Rises.
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The Sound of Inception.
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The Sound of Interstellar.
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Color By Numbers: Jean-Luc Godard.
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Color by Numbers: Sofia Coppola’s Pastels.
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Color by Numbers: Napoleon Dynamite.
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Color By Numbers: Amélie.
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Color by Numbers: Steven Soderbergh.
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Color by Numbers: The Grand Budapest Hotel.
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Color by Numbers: Zodiac.
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The (completely unnecessary) remaking of Oldboy.
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The 180 Degree Rule.
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The Long Takes.
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Six Uses for the Bird’s-eye Shot.
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How Paintings Matter in Movies.
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The Three Types of Hollywood Editing.
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The Cutaway Shot.
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The Graphic Match Cut.
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The Sounds of Aronofsky.
The sounds of Darren Aronofsky, including fantastic movies like Black Swan (2010), Requiem for a Dream (2000), Pi (1998), and The Fountain (2006). Simply brilliant.
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NAB 2012 wrap-up.
• Blackmagic announced a hard-to-believe camera featuring a 2.5K image sensor, 13 stops of dynamic range, built-in SSD recorder, popular open standard uncompressed RAW and compressed file formats, compatibility with quality EF and ZF mount lenses, and LCD touchscreen monitoring.
• Adobe Premiere Pro CS6 is out with and enhanced 64-bit playback engine that can handle 5K resolutions, and higher, new trimming options, compatibility with Mac touchpad gestures, a Warp Stabilizer that was previously confined to After Effects, and expanded multicam editing for more than four cameras. Taking a page from its sister app, “the audio oriented Audition, Premiere Pro CS6 offers a redesigned and more functional audio mixer. Adobe also introduced SpeedGrade, a film finishing and color grading app, and Prelude, for ingesting, logging, and transcoding.
• Autodesk announced Smoke 2013 for the Mac, a new version of what the company is now calling video editing software and at users of Apple’s Final Cut Pro or Avid Media Composer who want high-end editing and finishing tools in one app. The new price is “only” $3495, down from $14,995 for the 2012 version.
• Panasonic announced a bittersweet firmware update for the AG-AF100 that provides 1080 50p and 60p modes. That’s the sweet part. The bitter? They want users to pay $300 for the upgrade.
• Canon announced the 1D C ($15,000), which has the same chassis and still shooting features of the EOS-1D X ($6,800), and captures 4096 x 2160 8-bit 4:2:2 video to a CF card at 24 fps. Unlike the X, the C swaps a headphone jack for the X’s PC sync.
• The higher-end Canon EOS C500 ($30,000) offers the same ISO range as the C300 (320-20,000) and requires a dedicated external recorder, but captures in two full-RAW flavors: 4096 x 2960 (for motion picture), and 3840 x 2160 (for 4K TV). Both of these modes offer 10-bit 4:4:4 at 60 frames-per-second. There are two additional RAW option, 4096 x 1080 or 3840 x 1080 resolutions, which are also 10-bit 4:4:4, but at 120 fps. The camera also offers