Schindler’s List Cut by Cut: Part 2.
Last week, we analyzed one of the most important scene’s from Schindler’s List and the amazing editing work by Michael Kahn. We suggest you read Schindler’s List Cut by Cut: Part 1 first.
Great editing can only be accomplished if there is great footage to begin with. Look closely at Kaminski’s compositions; whether handheld or locked down he constantly plays with all the corners of the frame, showing dynamic blocking and camera movement to work in conjunction with the pace set by Kahn’s editing. This is what making a good picture is all about.
Michael Kahn’s editing is just phenomenal. His transitions are abrupt, but we never lose sight of the story. Let’s continue dissecting Schindler’s and Stern’s dialog while they create THE list of “essential” people.
Cut 15 Two-shot: Stern and Schindler trying to remember a name.
Cut 16 Typing a name.
Cut 17 Low-angle close shot of Stern trying to recall a name. Schindler seconding him off screen.
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