Canon EOS-1DC 4K DSLR price drops 34%.

The price for Canon’s EOS-1D C has effectively dropped 34%, from $12,000 as of yesterday to $7,999 right now.

canon-1dc-_-B&H-Photo-Video-2_blgpst Canon-EOS-1D-C-Cinema-Camera-Body-6994B002-1_blgpst

Canon EOS-1D C $7999: Adorama | B&H

The 1D C is the first Canon hybrid DSLR to offer onboard 4K motion imaging and Full HD motion imaging on CF cards and it is considered part of Canon’s Cinema EOS system, right next to the C100/300/500 models.

The main (and huge) difference between the EOS-1D C is that it features a full frame CMOS sensor that can capture 4K (4096 x 2160) as Motion JPEG and HD (1920 x 1080) as H.264 and can also shoot 18-megapixel (5184 x 3456) still images recorded as RAW or JPEG. An important (and also huge) difference between the EOS-1D C and the other C series bodies is that it lacks important features like built-in ND filters and XLR ports among others.

The camera’s rugged, ultra-compact form factor and huge sensor makes it an interesting option for challenging hybrid assignments when low-light performance is critical. For example, underwater or wildlife photographers capturing 4K and not needing XLR ports or other advanced video videos can find a great solution on the 1DC. Another instance is corporate assignments when the photographer is expected to shoot high-end video as well as stills. Unfortunately I believe the camera’s price have seriously challenged its market penetration. Let’s see what happens with this new price.

Now, while simultaneously shooting stills and video is certainly possible, I prefer to keep separate systems with different settings and features assigned to each task. It is hard enough to THINK about sound and movement and lighting simultaneously. the last thing I need is to be switching settings back and forth.

As of right now I’m happy with our current systems; a couple of Panasonic GH4 4K bodies with Canon and Sigma lenses (using a Metabones Speedbooster adapter), and a couple of Canon C100 Mark II bodies when stills are not necessary.

EduardoAngel_BTS_01 EduardoAngel_BTS_02

Here’s our current standard camera package:



• Panasonic GH4 at Adorama | Amazon | B&H
• Canon C100 Mark II at Adorama | B&H


• 35mm F1.4 DG HSM Art at Adorama | Amazon | B&H
• 50mm F1.4 DG HSM Art at Adorama | Amazon | B&H
• 18-35mm F1.8 DC HSM Art at Adorama | Amazon | B&H
• 24-105mm F4 DG OS HSM Art at Adorama | Amazon | B&H

• Canon 24mm F1.4L II USM at Adorama | Amazon | B&H
• Canon 70-200mm F2.8L IS II USM at Adorama | Amazon | B&H

• 12-35mm at Adorama | AmazonB&H
• 35-100mm F2.8 at Adorama | Amazon | B&H

Metabones Canon EF Lens to Micro Four Thirds at  Adorama | Amazon | B&H

If you are ready to buy any of these items, I’d suggest checking all three stores as the prices constantly change. Happy shooting!


DP Review issues Panasonic Lumix DMC-GH4 Final Review.

DP Review releases final conclusions on the Panasonic GH4. I agree 100% with them.

  • The DMC-GH4 sets a new bar in terms of the video capability available in a camera that a significant number of people can afford.
  • In a professional setting the GH4 is unusual in being compatible with an interface unit (the DMW-YAGH aka “The Brick”) that adds industry-standard 3G-SDI and XLR connectors.
  • The GH4’s image quality is very solid, producing nice JPEG images and usefully flexible Raw files. The color and tonality of its images seem improved over previous generations of camera. In video mode the camera is equally solid.
  • Despite the increased competition, the GH4 remains the king of accessible stills/movie hybrids.
  • A remarkably capable all-in-one package that lets you capture good quality footage and excellent stills from a sensibly-sized standalone camera.
  • The GH4’s video quality and well implemented touchscreen control system give it the edge over less expensive cameras, such as the a6000, while its price and ability to capture 4K internally will give it broader appeal than the Sony a7S.
  • What makes the GH4 so strong is its balance of capability, size and price. Its ability to slot into a professional setup, via the optional interface unit can only help expand this appeal.
  • Low light performance is solid if not exceptional – so you’ll need to think about lighting and bright lenses for low light shooting – but in many situations the GH4 produces good footage with a little subject/background distinction.
  • If you’re only interested in stills then it’s not quite such a compelling proposition – the competition is fierce at this price point. However, if you have any inclination towards moving images, there’s not a camera that offers nearly as much capability and support as the GH4 does, for anywhere near the price.

The complete review is available here.

I hope you’ll take a moment to check out these additional links:

And here are some samples clips:

Everything in Slow Motion was shot at FHD 96 fps. Everything else was shot at 4K (3840×2160). We used the Cine-D Profile. The only “grading” done was the B&W preset on Adobe Premiere Pro CC.


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I Just Got a Panasonic GH4 – Now What? Batteries.

First, the good news. If you already own a Lumix GH3 like we do, the GH4 uses the same exact batteries. The majority of camera manufacturers and other companies like Apple could follow this strategy for a change!

The OK news is that while the DMW-BLF19 battery (one included with every body) is really good, we generally go through two or even three batteries per camera on a video shoot. The Panasonic branded battery goes for $45 on Amazon.


Panasonic DMW-BLF19

A cheaper option is the Wasabi branded version that costs a THIRD of the price ($14.79 on Amazon). Now, an event BETTER deal is the Wasabi kit, which includes TWO batteries and one charger with a European plug AND a car adapter. The price: a no-brainer $31 on Amazon.


Wasabi Kit for the Panasonic Lumix GH4

I purchased a very similar kit for the Fuji X100S and so far have not seen ANY significant difference in performance between the original Fuji battery and Wasabi’s.


Related Posts

I Just Got a Panasonic GH4 – Now What? Hard Drives.

I Just Got a Panasonic GH4 – Now What? Memory Cards.

7 things we discovered after shooting 4K with the GH4. You won’t like #4.

Dance! The first of a series of videos shot for Panasonic USA to promote the new Panasonic Lumix GH4.


7 things we discovered after shooting 4K with the GH4. You won’t like #4.

The invitation from Panasonic USA to perform a field test arrived quite suddenly, with multiple commitments for Fashion Week already in place, and with nasty weather that didn’t really allow access to tried and true locations. Great!

It is very important to mention that the camera we tested was a preproduction model running firmware v0.3. As it is always the case with preproduction models, as well as some early production models, many features were disabled or not working as expected. We also wanted to test if our current workflow, which we generally use with Blackmagic’s Pocket Cinema Camera and Canon products—ranging from the 60D to the 5D Mark III to the C300 and even some 1DCs—would work at the same or needed adaptations for the GH4.

1. Comparisons
Instead of a side-by-side comparison between the GH4 and other brands, Sean Davis and I were more interested in exploring the new features of the GH4, compared to the GH3 and a hacked version of the GH2 that we have used in the past. Obviously, shooting 4K was at the top of the list. GH4 field test central Cinevate_01

2. Look and Feel
The GH4 is the exact same size as the GH3. Not only that, unlike other camera manufacturers that feel inspired to sell new batteries and chargers with every new camera, we were pleased to see that the GH4 shares the same exact DMW-BLF19 battery (here’s a much better deal). In other words, all your GH3 “power rigging accessories” will continue to work. Great news for Panasonic users and rental houses. An important difference (and a small hiccup in our field test) is that the GH4 uses Micro HDMI, and not the GH3’s Mini HDMI.

Before you ask, the answer is no. We did not have the Lumix DMC-YAGH Interface Unit (aka The Brick) with us. GH4 field test grand central _001

3. The 4K Footage
As you can see from the image below, the GH4’s 100 Mbps is broadcast 4K or Quad HD (3840 x 2160), not DCI compliant 4K cinema spec (4096×2160), but the camera is capable of recording DCI compliant 4K at 200Mbps. This article explains what DCI is. GH4-4K-File-Size_web

Just for fun, I created this side-by-side file size comparison between the cameras I use most often. GH4 File-Sizes-compared_web

Everything in Slow Motion was shot at FHD 96 fps. Everything else was shot at 4K (3840×2160). We used the Cine-D Profile. The only “grading” done was the B&W preset on Adobe Premiere Pro CC.

4. Storage
Regarding memory cards, we were ALSO testing a pre-production version of a SanDisk. The GH4 didn’t like the SanDisk 95mbs SDXC that we always use with our Blackmagic’s Pocket Cinema Camera. To spice things up a bit more, we had to use a beta SDHC II 280mbs 32GB card provided by SanDisk. I hope that once the camera ships, it will take “standard” SD cards, but they won’t come cheap.

Shooting 4K @100mb/s 30p on a 64GB card will give you about 29 minutes of shooting time. So we are looking at three to four cards per shoot at $150 each. All things considered, I’d get Panasonic 64 GB microP2 cards. If you have a better suggestion please send me a tweet.
This extra budget consideration of $450-$600 doesn’t even include hard drives for storage and backups. Definitively a G-RAID 4TB Dual Thunderbolt drive is the way to go.

5. High ISO
Per multiple requests via Twitter, we shot the same exact cityscape in Central Park with the GH3 and the GH4.

The exposure settings were identical:
• Manual Exposure
• The beautiful Lumix G X Vario 12-35mm f2.8 Lens
• f/2.8
• 1/30th
• 1600 ISO
• WB at 5500K

Lumix12-35mm lens

The only difference was that the GH3 was recording at its highest video resolution 1920×1080 at 72mb/s ALL-I 24fps while the GH4 was recording at 4K at 100mb/s IPB 30fps. Note: This was the ONLY video setting working on our prerelease GH4. Other settings were available but the camera was not able to record.

Here are some tests:

6. Workflow
The workflow we tested was intentionally kept as plain and simple as possible. The idea was to mimic a “normal” setup for an “average” shooter.

1. Download the SD card directly to a G-RAID 4TB Dual Thunderbolt External Drive connected to a 27-inch mid-2011 iMac. About This GH4 4K footage on iMac 2011_001

2. Open the MOV directly into Adobe Premiere Pro CC v7.2.1 without transcoding to ProRes or doing anything special to the files. This is exactly why I switched from Final Cut Pro to Premiere Pro a few years ago. Another feature I love on Premiere is the ability to change the playback resolution. In a few words, with high-resolution footage, you can set playback resolution to a lower value.

3. Start editing

7. Other Observations:
• The GH4 comes with two options for focusing magnification: Full frame and PIP which I find much more applicable for video. Even though PIP was not working while shooting video on our pre-production model, I’m sure it will be there when the camera ships.
• The peaking feature was working perfectly. A wonderful addition to our tips and tricks arsenal. GH4 Peaking_001
• The camera didn’t have, and won’t have, built-in ND filters. I was really hoping this would be an improvement over the GH3, but we will need to keep using our variable ND filters.
• There’s a lot to like about this system and I am confident Panasonic will add enough improvements to the firmware to make your shooting experience even better. GH4 field test grand central2 GH4 field test Rode Mic


Related Posts

I Just Got a Panasonic GH4 – Now What? Hard Drives.

I Just Got a Panasonic GH4 – Now What? Batteries.

I Just Got a Panasonic GH4 – Now What? Memory Cards.