Video

Filmmaking Essentials for Photographers: The Fundamental Principles of Transitioning from Stills to Motion (PDF Edition)

To remain relevant and in demand in today’s visually driven world, image makers must learn to craft both still photographs and motion in order to attract clients. While there are many similarities between photography and cinematography, there are key aspects of shooting motion—such as sound and camera movement, to name just two—that are uncharted territory for most photographers. In Filmmaking Essentials for Photographers: The Fundamental Principles of Transitioning from Stills to Motion, Emmy Award–winning photographer and filmmaker Eduardo Angel helps you begin your journey to becoming as capable and confident with creating works of motion as you are with photographing still images.

Filmmaking Essentials for Photographers covers a wide range of tools, techniques, resources, and tips that offer practical input on how to transition to motion. This is not an in-depth book on editing, directing, or even lighting. Instead, the goal of this book is to cover the fundamental aspects of filmmaking from a straightforward nuts-and-bolts perspective. You will learn all about:
• How to switch to a “filmmaker’s brain”: engage with a crew, understand the director’s and director of photography’s roles, and work with a script, shot lists, and storyboards
• The basics of composition for motion: framing continuous shots, establishing a scene, and creating perspective and movement
• The role of lighting, including how it is used to tell a story and how it directs the viewer’s attention
• The crucial part that sound plays in motion, including music and soundscapes
• How to use the right gear for the job: from cameras and lighting gear to microphones, rigs, and key accessories
• The art and craft of editing: the post-production workflow, how to organize your assets, and how to deconstruct the editing process
• Color theory and how you can use it to enhance the story you are telling
• How to do more with less—no matter the budget

Increasingly, opportunities come to those who can create content for clients that need both stills and motion. To that end, the final chapter of the book covers those business opportunities that will open up to you with your newfound skills in motion: from multimedia projects, educational content, and interviews, to independent short films, stock video footage, and commercials.

Filmmaking Essentials is now ranked among Amazon’s top 50 books for photographers and filmmakers!


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Video

How to Pack Light.

A substantial challenge within small-crew, low-budget productions is how to travel as light as possible, but still carry a full production and post-production setup that is literally on your back.
In this FREE half-hour lecture I share my most valuable packing tips, the gear you can not leave behind, and even how to approach subjects in foreign countries.

This presentation was recorded live at NAB 2016 Post|Production World, the leading training event for content creators and designers.
Duration: 23 minutes

A complementary companion PDF with valuable information is also included.


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Understanding and Breaking Composition Rules.

Cinematic composition is one of the least understood yet most important aspects of video. Like good storytelling, in order to achieve good compositions you have to make every detail count and keep the audience engaged in your story.
Beginning with basics such as shot size, depth of field, and the rule of thirds, in this seminar we explore how to establish a scene, play with perspective and movement, and incorporate some of the most common shot types, including close-ups and group shots.

“Understanding and Breaking Composition Rules” was recorded live at NAB 2016 Post|Production World, the leading training event for content creators and designers.
Duration: 56 minutes

A complementary companion PDF with valuable information is also included.


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Video

The 41 Essential Items for Hybrid Productions.

Hybrid productions where one person is required to be the photographer, filmmaker, sound engineer, producer, and even editor are increasingly popular. Getting stellar content and capturing the shots that really matter is essential, as there are no second chances.

This presentation was recorded live at NAB 2016 Post|Production World, the leading training event for content creators and designers.
Duration: 68 minutes

Two companion PDFs with valuable information are also included.


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Essential Pre-Production for One-Person Crews.

Not spending enough time and resources in pre-production usually translates into more mistakes, delays and over costs during production and post.

In this hour-long seminar we cover how to work on a shoestring budget without compromising the integrity of the story and I shares insights on the most essential steps required even before arriving at each location. From pre-shooting and rough editing, to the mobile apps that stand out from the pack, and even backup strategies, there’s a lot of useful info packed on these seminars.
I truly believe anyone involved in run and gun scenarios like weddings, events, corporate, documentary, red carpet premieres, product launches, sporting events, and even video podcasts will benefit from the topics covered.

This presentation was recorded live at NAB 2016 Post|Production World, the leading training event for content creators and designers.
Duration: 68 minutes

A companion PDF is included


Start learning now!

Video

Essential Production and Post-Production for One-Person Crews.

These presentations were recorded live at NAB 2016 Post|Production World, the leading training event for content creators and designers.
Duration: 58 minutes

Two companion PDFs with valuable information are also included.

Video

Blogging With Video, Hoping to Go Viral. Really?

 
Ay ay ay! I might have more than a few issues with this New York Times article “Blogging With Video, Hoping to Go Viral.”

“You want to have a decent camera. A hand-held video camera is nice and offers more features and flexibility, but your smartphone is fine… The only additional equipment you might consider is a separate lavaliere or lapel microphone. And if there isn’t enough ambient light to illuminate your face, spring for a clamp lamp that you can find at most hardware stores… “

Here’s the complete article.

Is “good enough,” good enough? What’s your take?